This writer entered into the literature as a host, not as a student or guest. It was clear (and rem

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This writer entered into the literature as a host, not as a student or guest. It was clear (and remember aafes employment how it was immediately clear from Korotkevich 1956), which is here to stay. Despite a certain reticence her literary role, terse and nepretentsyeznasts, Elena Bravo known, aafes employment respected hear. And what more do you need a writer?
It often happens: Elena Bravo know by the work, which is characterized by the least for her. Mean "curfew swallows" of the same book. Unconditional dignity aafes employment story, but basically the product stands aafes employment out from the literary series kind of Orientalism, exoticism that is displayed - Cuban realities, household sketches, Hispanic constructions that arise at each step in the "curfew aafes employment time ...". As overseas spices, all at once attracted readers and critics. Indeed, through a certain inertia, Belarusians have created relatively few stories, novels and poems for yes nebelorusskim material. And Elena Bravo, with his impeccable sense of language and attention to detail has managed to combine a sense of Orientalism Cuba with social psychology, aafes employment showed distinct universes Latin America and Eastern Europe, that mental gap that lies between these nations. The second story writer Borisov became the focus of the book, but, allegedly following its name, hid in the Cuban lampshades. "Name of Shadows - Light (the story of one Fabio)" is not the first work of Elena Bravo, printed, if I'm not mistaken, even in the magazine "The Source" for the master became so "prototype model" from which he constantly pushed, forced to return to bench again and again. Theme, found in the story, was for Elena Bravo basic backbone. In fact, further works were one of its variations of this theme. This theme - the psyche of women. aafes employment From "Name Shadow ..." appeared in the book balancing start subjective aafes employment balanced with bright apisalnastsyu here, epic "curfew time ...". How many years have passed after the release and it became clear that the lyric, subjective beginning Elena Bravo is enhanced, and it is not only in verse, which inkrustuetstsa prose. Teaches theory, epic seeks out to the object; lyrical - on the contrary, folds inward aafes employment delves into itself. Both are equally important. The writer chose the second way inside, into the depths of human consciousness and the subconscious, where the creator always waiting aafes employment abstraction and generalization, symbols, archetypes archaic model. And so it happened. After all, for prose that reflects subjective, still need a frame, which will hold the product. If the plot does not prevail when padeynasts pushed aside, the algorithm need another letter, which was guided walking narrative. This other way for subjective prose Elena Bravo became aafes employment grading mental status changes that include descriptions of the surroundings and the actual events, everyday situations. Mental conditions, in turn, are based on archaic models subconscious successfully investigated and postfreydystskay Freudian psychological aafes employment science. In prose Bravo through this zanurenne inside very little dialogue (although a few are written quite realistic and even naturalistic). The main focus is on the description:'s stream of consciousness gradually mixes proper reflection aafes employment of life essays, and so even realities, objects, phenomena fruit served one deployment identity heroine. Eseistychnaya stream saturated sometimes almost scientific aafes employment language textbooks, there are citations, references, allusions, improper, simple language. Emphasize, not because the author has nothing to say: this is the result liryzatsyi story when muffled padeynasts, a plot, and the product has to be based on other constants. I do not know how the author is working purposefully all of these things, but when reading and then it seems that the author deliberately for a specific experiment on the heroine, testing her predetermined pattern of behavior. So, from the novel by Julia "maenads and satyrs" ("The Stranger, maenads, Wounded Heart, Left Ditsyane, aafes employment girl mat-la-His-Feet - how else is your name?") Constantly emphasizes a one quality: the plot of the story Zweig's thirst for "more of a romantic love." Sacrifice heroine played in the work, as the disk several times. Changing only the scenery, the appearance of men, after the same all over again. Novel "maenads and satyrs" - generally a very complex phenomenon. Old fashioned critic aafes employment would say first of all that it looks more like a stretched story, but in today's aafes employment time are blurred to better focus on the Western canon of the novel, to the last "maenads ..." just belongs. With Bakhtin interpretations there may be a weak opposition: according to Russian philosopher, the novel tells the story